October 14, 2011
The Evolution of Smokey Bear
Smokey Bear has appeared almost everywhere – from print Public Service Announcements (PSAs) to television and radio to several comic book series. But like any proper legend, what breathes life into Smokey Bear is the artist illustrator’s own spin on Smokey’s appearance, meaning depictions of Smokey change quite frequently from image to image, even within the same year. (About the only thing that never changes is Smokey’s classic attire: Hat, shovel, and worn-in blue jeans.)
Throughout the years, artists have chosen to depict Smokey with either an approachable, if not cuddly appearance (a bear children might stand in line to hug), or a stern Smokey, appealing to the seriousness of wildfire danger and prevention. The image is based on the message to be learned and the audience, that is, whether for children, adults, or all ages.
The original 1944 image was created by Albert Staehle. Another interpretation of Smokey came in 1947 by Russ Wetzel and although it was popular, it seemed a bit too humorous for Smokey’s serious message. So in 1948, James Hansen drew a “praying bear,” asking people to be more careful. But the artist most associated with Smokey is Rudy Wendelin, who drew Smokey images for more than 30 years (some of the changes in Smokey’s image are noted in the attached sketch by Mr. Wendelin).
Filed under: Campaigns, Communications
Tags: Draftfcb, Smokey Bear
September 14, 2011
Homeowners Frozen in Place
Do you know what most people do when they realize they’re in danger of losing their home to foreclosure?
Nothing.
Surprising? Perhaps. But understandable when you think about it.
It’s just too humiliating. Too painful. Too complicated. Too scary.
As the bills pile up and the pressure keeps growing, people just…stop.
Our job was to get them going again.
Because if we could get them to pick up the phone, the Government could get them some help.
Not an easy task, considering the barriers people have erected.
Our agency’s motto is Think Again. Keep digging. Don’t settle. We created about 12 campaigns. In the end we decided that the best approach was to hold a mirror to the problem. To show people literally stopped—frozen, petrified, paralyzed by their mortgage struggles.
Consumer research confirmed our choice. “That’s how I feel,” people said as they looked at storyboards featuring a woman frozen on her front lawn, a factory worker stock-still as the conveyor belt moves untended bottles by him and a female runner unable to move as the race begins.
“This is going to need some super-cool special effects,” we said. “We need to make it look like people are really frozen in place while the world moves on around them.”
September 10, 2011
10 Years Later: Ads That Help and Heal
Everyone remembers with great clarity where they were when they learned of the terror attacks of 9/11. I was in a meeting in the basement of a hotel in Washington D.C., having taken the 7:30 a.m. shuttle from New York that morning. What followed the shock and overwhelming sadness was a tremendous desire to return to New York City to be with my loved ones and colleagues, to do whatever could be done to help. With the city in lockdown, it wasn’t until 9 a.m. the next day that I climbed the stairs out of Penn Station for the short walk to the Ad Council. What I found there was a staff — and the entire advertising industry — reaching out to help our city and our country heal.
Within 24 hours of the attacks, we returned to our wartime footing (having been founded during World War II) and reached out to organizations conducting relief efforts — including the Red Cross, United Way, Save the Children and the City of New York — to help raise awareness of their messages.
One of our earliest ads, “I am an American,” was developed pro bono by GSD&M, an ad agency in Austin, Tex. On 9/11, Roy Spence, president of the agency, was just outside D.C. with his staff and about to meet with a client when the second plane struck the World Trade Center. With all planes grounded, the team had to drive back to Texas. Roy and his team thought about what they could do to soothe a wounded nation. During the drive, they began to discuss the identity of America and how “American” means different things to different people. The agency called directors across the country and ask them to film Americans from every background and age throughout the country staring straight into the camera stating, “I am an American.” Typically, Ad Council PSA campaigns take six months for development and production. “I am an American” was produced and on air within 10 days of the tragedies.
The spot was quickly embraced, and the public response was unprecedented. The PSA celebrated our country’s cultural identity and diversity and truly united our nation. It helped reinvigorate a sense of pride and appreciation for our freedom. And it also showed how quickly the ad and media industries can come together in a time of crisis.
Subsequent PSAs focused on anti-discrimination, disaster relief, mental health assistance, volunteerism and freedom. All the ads were created pro bono by the nation’s leading advertising agencies, and the ads received extraordinary donated media support.
Ten years later, we are honored to join the National 9/11 Memorial and Museum to raise awareness and encourage support for the new memorial. The campaign communicates to Americans that we should all honor, remember and reunite during the days and weeks leading up to the anniversary
We have also worked with GSD&M to re-release that amazing spot “I am an American” with a new end-frame commemorating the 10-year anniversary.
Media outlets throughout the country have stepped up and provided early commitments of support for these PSAs, and they began donating time and space for the ads almost immediately after their distribution two weeks ago.
The upcoming anniversary will mean something different for each of us, but I hope that in some way, it allows people to come together again in the spirit of unity we all remember from the days and weeks after 9/11.
E pluribus unum. Ten years later, we are still one.
Filed under: Campaigns, Communications
Tags: 9/11, 9/11 Anniversary, Decade After 9/11, September 11, September 11 Memorial

